No shade to brilliant director James Whale, whose 1935 Universal sequel The Bride of Frankenstein is both exhilarating and cheekily queer. But — as Gyllenhaal has repeated frequently on The Bride!'s press tour — his titular monstress never speaks a word in her few short minutes of screen time. Still, as that original Bride, Elsa Lanchester made this she-beast an instantly compelling marvel who has become truly iconic, an intoxicating mix of high femme and the horrific.
in practice we'd probably want to expand that to "Don't handle Pin
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